God Sees the Truth but Waits | Leo
Tolstoy Summary 1
The story follows a
merchant named Ivan Dmitrich Aksionov who lives in the town of Vladimir with
two shops and a house of his own. He used to drink alcohol, but after marriage
he sometimes does so. As he prepares to go to the Nizhny Fair one summer, his wife
urges him not to leave the family telling that she had a nightmare in which he
left for the fair and returned with gray hair. He ignores his wife's dream and
leaves for the fair.
Aksionov meets a fellow
merchant on his way to the fair. They spend the evening at the inn. Aksionov
wakes up early to get to the fair without the other merchant. When he goes
about twenty-five miles, he stops for the horses to be fed and a rest. He is
approached by a few policemen. They explain that the merchant was murdered and
robbed. They search Aksionov's luggage. They find a blood stained knife.
Despite Aksionov's claim that he is not the murderer, he is sent to jail.
Aksionov's wife with
children comes to visit him in jail. She becomes unconscious seeing her husband
in prison clothes and fetters. After she comes to her senses, she informs
Aksionov that an appeal to the Czar has been rejected. Aksionov is shocked when
she asks him whether he actually committed the murder for which he has been
arrested. His wife’s suspicion of his guilt makes him conclude that he can rely
on God alone to know the truth. He is flogged and sent to a Siberian labor
camp. Remaining there for 26 years, he loses his youthful cheerfulness and
becomes deeply religious.
A new group of convicts
arrives at the Siberian prison. One of them, Makar Semyonich, has been
imprisoned for stealing a horse from a sledge. After overhearing conversations,
Aksionov is certain that Semyonich is the man who was responsible for the crime
for which he was blamed. One night, he discovers Semyonich digging an escape
hole. The next day, the authorities finds out the hole. The Governor comes and
asks the prisoners who is trying to escape. Aksionov does not wish to see Makar
being flogged. He tells the Governor that he knows nothing about who dug the
hole.
The following night
Aksionov finds Semyonich sitting at the foot of his bunk. Semyonich,
overwhelmed by Aksyonov’s goodness in protecting him from the Governor,
confesses to having framed him for murder 26 years before and begs his
forgiveness. Semyonich offers to admit his guilt to the authorities and thereby
forgive Aksionov. He dies shortly before the authorities order him to be
released.
God
Sees the Truth But Waits Summary-2
In
the Russian town of Vladimir, Ivan Dmitrich Aksionov lives as a successful
merchant with his wife and young children. One summer, as Aksionov sets off for
Nizhy Fair to sell his goods, Aksionov's wife warns him not to go, for she has
had a nightmare in which he returned with grey hair. Aksionov laughs off her
concern that the nightmare was a premonition and interprets the dream as a sign
of luck.
Halfway
to the town, Aksionov encounters a fellow merchant, with whom he stops for the
night at an inn. The men have tea together and sleep in adjoining rooms.
Aksionov rises before dawn and sets off with his horses and coachman while the
air is cool. After twenty-five miles, he stops to feed his horses.
During
this break, two soldiers and an official arrive and begin questioning Aksionov
about his relationship with the man he had tea with the night before. The
merchant was found dead with his throat slit. Since the two rooms were next to
each other, it seems only natural that Aksionov might know something. Aksionov
trembles in fear when the official searches his belongings and removes a knife
streaked with blood.
The
men bind and arrest Aksionov. His wife visits him in jail and faints at the
sight of him dressed as a criminal. He says they must petition the czar, to
which she says she has already tried to no avail. She asks him if he committed
the murder, and Aksionov weeps. If even his wife suspects him, he thinks after
she leaves, then only God knows the truth and it is only to God that he should
appeal.
He
puts his faith in God and accepts his sentencing and ceremonial flogging. He is
sent to work in the Siberian mines. Over twenty-six years in Siberia, Aksionov
transforms into a pious old man. His hair turns white, his beard grows long, he
walks with difficulty, and he never laughs. He prays often and, among other
prisoners, he develops a reputation as a meek and fair man.
One
day a newly arrived inmate named Makar Semyonich, who is about the same age as Aksionov
and from the same hometown, gives an account of what brought him to Siberia. He
was suspected of stealing a horse when in reality he had only borrowed it.
Nevertheless, he was convicted and imprisoned. The irony is that he had gotten
away with doing something much worse earlier in his life.
Aksionov
suspects the man is responsible for framing him. He questions Semyonich, who
cryptically responds in a way that confirms Aksionov's suspicion. Aksionov
remembers everything he has lost and is plunged into misery; he longs for a way
to get revenge but resolves to stay away from the man or even look in his
direction. After two weeks, unable to sleep, Aksionov takes a walk near the
prison to discover Semyonich digging a tunnel under his sleeping shelf.
Semyonich angrily offers Aksionov escape and threatens to kill him should he
tell the authorities about the tunnel. Aksionov says Semyonich has already
taken his life, and he shall do as God directs him.
Soldiers
discover the tunnel the next day. The governor arrives to question prisoners,
none of whom admit to knowing anything about the tunnel. After wrestling with
his desire for vengeance, Aksionov declines to say what he knows about
Semyonich's involvement, even if it means that he will be punished himself.
That
night, Aksionov is about to nod off in his bunk when Semyonich sits down beside
him. Semyonich bends over and whispers a plea for forgiveness. He confesses
that it was he who killed the other merchant and stole his money; he then
planted the knife so that Aksionov would become the suspect. He falls to his
knees and begs for forgiveness, promising to confess to the crimes so that
Aksionov will go free. The old man replies that his life is already over and he
has nowhere to go.
At
the sight of Semyonich's tears, Aksionov weeps himself. Semyonich begs again
for forgiveness. Aksionov tells him that God will forgive him, and that perhaps
he himself is a hundred times worse. Having said this, Aksionov feels a
lightness enter his body. He no longer desires to go home or leave the prison;
he wants only to die.
The
story ends with Semyonich confessing to the governor. By the time the officials
arrange Aksionov's release, Aksionov has already died.
Source: https://www.gradesaver.com/god-sees-the-truth-but-waits/study-guide/summary
Extended
Summary
In
Russia during the nineteenth century, a young, attractive businessman named
Ivan Dmitrich Aksionov lived with his wife and children. Although he had been a
bit wild in his youth, he had now settled down and lived a responsible,
productive life. One day he decided to make a trip to a fair where he could
sell some of his merchandise. Although his wife had had a bad dream about this
trip, Aksionov decided to proceed. On the way, he stopped at an inn, where he
met another merchant, a person he knew. They decided to stay at the inn in
rooms next to one another. The next morning, he proceeded on his way. After
traveling twenty-five miles, however, he was stopped by a local police officer,
who questioned him closely about the time he had spent at the inn. It turned
out that the other merchant had been found with his throat slit open, and
Aksionov seemed a likely suspect since he knew the man and since their rooms
had been adjacent. Aksionov vehemently denied any involvement in the murder.
However, when his bags were checked, a bloody knife was found.
While
imprisoned, he became a boot-maker, thus earning enough money to buy a book
called The Lives of the Saints. He
read this book whenever possible. On Sundays he took a prominent role in the
religious services, and he sang in the choir of the prison church. The wardens
and guards appreciated his humility, and the other prisoners regarded him with
respect, calling him “Grandfather” and “The Saint.” He became their representative
when they needed to deal with the authorities, and they trusted him so much
that they treated him as a kind of judge, who could settle disputes and
disagreements amongst them. Meanwhile, he had no information about his family
nor any contact with them. They might all be dead, for all he knew.
When a new shipment of prisoners arrived one day, Aksionov eventually realized
that one of the men, Makar, was from his own home town. In response to
Aksionov’s questions, Makar informed the old man that Aksionov’s family was
prosperous. Makar seemed to know Aksionov somehow, leading the latter to wonder
if Makar knew anything about the murder of the merchant. Makar’s reply led
Aksionov to begin to suspect that it was Makar who had in fact committed the
crime. Tormented by painful memories and by a sense of all the years he had
lost, he eventually accused Makar, privately, of having murdered the merchant.
Makar ignored the accusation even though Aksionov had caught Makar trying to
dig a tunnel to escape the prison. Aksionov could easily have reported this
deed to the authorities, but he chose to keep quiet, even after Makar
threatened him. When the tunnel was eventually discovered, no one would
identify Makar as the culprit who had been doing the digging. Even Aksionov,
who was closely questioned by the Governor of the prison because the Governor
knew that his testimony would be honest, denied knowing who had been digging.
He did not want to see Makar harshly punished and even began to wonder if he
had wrongly suspected Makar of murdering the merchant.
Later
that night, Makar came to Aksionov’s bed and begged the old man for
forgiveness. He confessed that he had indeed killed the merchant and had hidden
the bloody knife in Aksionov’s belongings. He offered to confess to this crime
so that Aksionov could be released from prison and go back to his home and
family. Makar continued to beg Aksionov for forgiveness, especially since
Aksionov had not revealed what he knew about Makar and the tunnel. Both men
were soon weeping, and Aksionov said “God will forgive you! . . . Maybe I am a
hundred times worse than you.” Having said this, he suddenly felt unburdened
and no longer cared about leaving prison. He only desired death. Makar did
eventually confess to having killed the merchant, but by the time Aksionov’s pardon
arrived, he was already deceased.
Source: https://www.enotes.com/topics/god-sees-the-truth-but-waits
Summary
Analysis
Aksyonov,
a well-to-do young merchant from the town of Vladimir, prepares to set off for
the commercial Fair at Nizhny. Aksyonov’s
wife urges him to say home, saying that she
has had a bad dream in which his hair turned
completely gray. Aksyonov assumes that she is worried he will drink too much
(as he has a habit of binge drinking) and dismisses her concerns. He promises
that he will “do some good business” at Nizhny and bring her back “expensive
presents.”
The young Aksyonov’s drinking and materialism (for
example, his pursuit of business profits and “expensive presents”) establish
him as a casually sinful person who has yet to recognize the primacy of faith
and devotion. Additionally, the ease with which Aksyonov dismisses his wife’s
concerns shows that he takes his family, home, and as perhaps his other social
connections somewhat for granted.
Halfway to
Nizhny, Aksyonov meets
a merchant
friend at an inn, where they have tea and
spend the night in adjoining rooms. After leaving the inn and continuing his
journey to Nizhny, Aksyonov takes
a break to rest, eat, and play his guitar. Suddenly, a district
police inspector arrives with two soldiers,
interrogates Aksyonov as to his whereabouts and actions the previous evening,
and then announces that Aksyonov’s merchant
friend has been found murdered at the inn.
The district police inspector appears on the scene as
an immediately intimidating figure, for he is accompanied by two soldiers who
represent the threat of force. Known only by his title, the inspector
symbolizes the impersonal, overbearing state power that underlies the criminal
justice system.
The police
inspector orders a search of Aksyonov’s
belongings and discovers a bloody knife. The inspector formally accuses
Aksyonov of murder, and a terrified Aksyonov stammers and quakes with fear.
Aksyonov is physically restrained and sent to jail.
The inspector’s accusation and arrest of Aksyonov
illustrate the corruption of institutional justice. The inspector rapidly
leverages state authority (and physical force) against Aksyonov without
irrefutable evidence that he is the murderer, and Aksyonov is so overwhelmed
that he is rendered unable to defend himself.
Aksyonov’s wife comes
to visit him in jail. She collapses upon seeing her husband in prison clothes
and fetters. After regaining her senses, she informs Aksyonov that
the last of his appeals—a petition to the Tsar—has been rejected, and she then
shocks Aksyonov by asking whether he actually committed the murder for which he
was arrested. As a soldier separates Aksyonov from his wife and children for
the last time, Aksyonov reflects upon his wife’s suspicion of his guilt and
concludes that he can rely on God alone to know the truth and to offer mercy.
The failure of Aksyonov’s final appeal to the Tsar,
along with his wife’s suspicion of his guilt, leads him to recognize God as the
only entity who can be trusted to see the truth and deliver real justice.
Aksyonov realizes that he must pivot towards seeking God’s forgiveness by
living a more spiritual life, and this change in focus is reinforced by
Aksyonov’s final physical separation from his family—his strongest earthly
attachment.
Aksyonov is
flogged and then sent to a Siberian labor camp. He remains here for 26 years,
developing a stoop and losing his youthful gaiety. While incarcerated, Aksyonov
becomes devoutly religious. He prays frequently, reads religious literature,
and sings in
the church choir. Aksyonov’s fellow inmates refer to him as “Grandpa” and “Man
of God.”
Aksyonov’s flogging and the breakdown of his body
(for instance, his development of a stoop) during his incarceration highlight
the focus of institutional justice on bodily punishment. Along with
highlighting the brutality of the criminal justice system, this contrasts with
God’s judgment of the soul. Through his religious activities in prison,
Aksyonov transforms into an ideal holy man, or a model for readers’ emulation.
Like many Christian saints, Aksyonov responds to his earthly persecution and
suffering by strengthening his faith, or by trusting that real justice comes
from God, and not from any source on Earth.
During Aksyonov’s
26th year at the Siberian prison, a new group of convicts arrives. One of them, Makar
Semyonov, has been imprisoned for allegedly
stealing a horse from a sledge. He says he comes from Vladimir, and Aksyonov
asks for news of his family. Makar says that he has heard of Aksyonov’s family
as prosperous merchants whose husband (or father) is locked up in Siberia.
Makar asks Aksyonov why he was imprisoned, but Aksyonov will say only that his
26 years of penal servitude have been payment for his sins.
Aksyonov’s instinctual questioning of Makar about his
wife and children shows the power of family as a source of earthly attachment
that keeps Aksyonov’s thoughts on the world, rather than on God. At the same
time, however, Aksyonov’s insistence that he is paying for his sins enhances
his image as a model “Man of God.” Aksyonov treats his earthly suffering as
inspiration to atone for his spiritual transgressions (or to seek God’s
forgiveness) and as a test through which he can prove himself worthy of
salvation.
Other inmates
tell Makar about
the merchant’s
murder and Aksyonov’s
wrongful arrest. Makar’s reaction to this information leads Aksyonov to suspect
that it was Makar who framed him for murder. Aksyonov is overwhelmed with anger
at Makar, and he thinks longingly of his family. Aksyonov becomes so depressed
that he considers either attacking Makar or committing suicide.
The anger Aksyonov feels towards Makar indicates that
Aksyonov’s path towards becoming an ideal “Man of God” is not without its
setbacks and its trials: the actions Aksyonov contemplates—suicide or a violent
assault on the man who framed him—would both amount to a terrible regression
into sin. Additionally, that Aksyonov’s thoughts rush to his family shows that
even despite Aksyonov’s intense devotional activities in Siberia, he has a hard
time letting go of his most powerful worldly or societal
attachments—attachments that might jeopardize his fulfillment of a purely
spiritual life.
One night, Aksyonov discovers Makar digging
an escape tunnel. The next day, the authorities discover the hole, and the Governor arrives
on the scene to question the prisoners as to who was trying to escape.
Reasoning that he does not wish to see Makar flogged (and that his suspicion of
Makar for the merchant’s murder may be misplaced), Aksyonov tells the Governor
that he knows nothing about who dug the tunnel.
Like the district police inspector who accused
Aksyonov of murder, the Governor is a state official known only by his title;
he serves as a symbol of institutional justice. Aksyonov’s desire to spare
Makar from flogging—and his decision to blatantly lie to the Governor—represent
a rejection of the state justice system that the Governor represents.
Importantly, forgiveness of Makar does not factor into Aksyonov’s reasoning;
Aksyonov’s actions are principally a rejection of the Governor’s
authority.
The following
night, Aksyonov finds Makar sitting
at the foot of his bunk. Makar, overwhelmed by Aksyonov’s goodness in
protecting him from the Governor,
confesses to having framed Aksyonov for murder 26 years earlier and begs his
forgiveness. Makar offers to admit his guilt to the authorities and thereby
exonerate Aksyonov.
Makar seeks Aksyonov’s forgiveness as a way of easing
the burden (or moral imbalance) he feels for having done harm to a man who has
done good to him. Moreover, Makar hopes to acquire Aksyonov’s forgiveness as
part of a negotiated exchange; if Aksyonov will forgive him, Makar promises, he
will exonerate Aksyonov by sharing his confession with the authorities. This
suggests that true forgiveness for one’s sins is more fulfilling and meaningful
than falsely asserting one’s innocence.
Aksyonov responds
to Makar’s
confession with indignation, claiming that even if Makar were to help him
secure his release from prison, he would have no home or family to which he
could return. However, Makar continues to seek Aksyonov’s forgiveness and
breaks down sobbing. Aksyonov is moved by Makar’s genuine guilt and pain, and
he too breaks down in tears.
Aksyonov imagines that the social life—life outside
prison—would not be worthwhile if he did not have his family. The extent to
which he values his family during his imprisonment contrasts with his attitude
at the beginning of the story, when he seemed to take his wife somewhat for
granted. Aksyonov continues to withhold forgiveness from Makar, as he judges
the terms of exchange Makar offered him—confession and exoneration in return
for forgiveness—to be inadequate. Aksyonov does, however, cry in sympathy with
Makar, a reaction that portrays him as somewhat of a forgiving, Christlike
figure. Aksyonov begins to feel solidarity with his fellow prisoner as he
recognizes their shared pain and common situation as sinners desperate for
forgiveness. (Aksyonov, of course, is seeking the forgiveness of God).
Aksyonov tells Makar that
God will forgive him. Aksyonov feels a weight off his shoulders and no longer
“pines” for his freedom or for his family. Instead, Aksyonov thinks only of his
“last hour.”
Aksyonov finally orients himself fully towards God
and the afterlife. He does so in two key steps. First, he recognizes that only
God can forgive, thus easing the burden of anger that he previously felt
towards Makar and relieving his uncertain thoughts over justice on Earth (for
example, his deliberations as to whether Makar deserves his forgiveness).
Second, Aksyonov at last jettisons all earthly attachments, including his
aspiration for freedom in the outside world (beyond the walls of the prison)
and his fixation on his family—his strongest social bond.
Makar confesses
to the authorities that it was he who murdered the merchant, not Aksyonov,
and Aksyonov is officially exonerated. However, by the time permission arrives
for him to be released from the labor camp Aksyonov has passed away.
Source: https://www.litcharts.com/lit/god-sees-the-truth-but-waits/summary-and-analysis
Understanding
the text
Answer these questions.
a. What bad habits did
Aksionov have before his marriage?
Answer: Before his
marriage he used to drink and was riotous when he had too much.
b. What can be the meaning of his wife's dream?
Answer: Her dream is a
premonition of terrible fate that awaits Aksionov.
c. Why did Aksionov think of killing himself?
Answer: In his mind, he
saw the place where he was flogged, the executioner, and the people standing
around; the chains, the convicts, all the twenty-six years of his prison life,
and his premature old age. This thought made him feel so bad that he was ready
to kill himself.
d. Why did Makar disclose that he had killed the merchant?
Answer: Makar ........
because he wanted to make Aksionov release from the prison.
e. Why doesn't Aksionov wish to return to his family at the end of the story?
Answer: Aksionov
doesn't wish to return to his family at the end of the story because he
believes that his wife was dead, and his children have forgotten him.
Reference to the context
a. Answer: i. Aksionov ii. the truth of
digging an escape hole iii.
wall of the prison
b. Describe Aksionov's
character.
Aksionov is the
protagonist of the story. He is a successful young merchant whose comfortable
life is disrupted when he is framed for murder and sent to Siberian prison
camp. His wife’s suspicion of his guilt makes him conclude that he can rely on
God alone to know the truth. He earns a reputation as a good person among the
prison officials and fellow prisoners. After finding himself imprisoned with
the man who framed him, Aksionov is ready to kill himself. However, at the end
of the story he is able to forgive Semyonich. He dies shortly before the
authorities order him to be released.
c. What is the theme of
the story?
The story has the theme
of injustice, acceptance, faith and forgiveness. The case against Aksionov is
not convincing. The government authorities without establishing motive or
recovering a bloody knife and twenty thousand rubles stolen from the merchant
declare him guilty. When his wife's appeal to the Czar is rejected, Aksionov
accepts that the injustice to which he is subjected is impossible to correct.
He devotes himself to God to offer him the justice that man can’t give him. In
prison, Aksionov converts himself into a humble and religious figure. Officials
and prisoners respect him for his impartiality in resolving arguments.
Aksionov's faith in God is so strong that he believes he must be sinful to
deserve the torturous life God has given him. After Aksionov is unwilling to
inform on Semyonich's tunnel-digging, Semyonich is shaken by Aksionov's mercy.
Aksionov finally grants Semyonich forgiveness.
d. Which symbols are
used in the story and what do they indicate?
The story offers
several symbols for its artistic expression that supersedes flat writing.
Aksionov’s house and two shops represent his family and material possessions.
The prison itself is a symbol of Aksionov’s suffering and final spiritual
transformation. His gray hair emerges as a clear symbol of his suffering,
highlighting not only his aging but also his physical decay resulting from
punishment. His grey hair suggests how the stress of his wrongful imprisonment
prematurely ages him. The blood stained knife unpredictably found in Aksionov's
bag works as the crucial piece of evidence required to convict him. This knife
symbolizes Aksionov's lack of control over his fate. The book ‘The Lives of the
Saints’ Aksionov buys represents his religious devotion.
Reference
beyond the text
a. What role does
religion play in Aksionov's life? How does he undergo a spiritual
transformation in the story?
Christianity plays an
important role in Aksionov’s life. He spends his entire life in a Siberian
prison expecting for the right judgement of God. His wife’s suspicion of his
guilt makes him conclude that he can rely on God alone to know the truth and to
offer mercy. Imprisoned for 26 years, he loses his youthful cheerfulness and
becomes deeply religious. He devotes his life to God. In prison, Aksionov
learns to make boots, and earns a little money, with which he buys the book
‘The Lives of the Saints’ and reads it. On Sundays in the prison-church he
reads the lessons and sings in the choir. The prison authorities even like him
for his humbleness. His fellow-prisoners respects him calling him ‘Grandfather’
and ‘The Saint’. By the time the real killer of the merchant arrives in prison,
Askionov is able to forgive him. At the end of the story, he has no desire to
return home but to be with God.
Aksionov’s spiritual
transformation is remarkable in the story. Before the imprisonment he is care
free and enjoys materialistic life. Despite Aksionov’s rejection of the
legitimacy of the state that has jailed him, he realizes that the reason he is
suffering in Siberia is to pay for his sins. Aksionov considers his miseries as
a test of faith that gives him a chance to achieve salvation by reforming his
character and devoting his life to God.
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